Elaborately decorated tombs were not exclusive to the pharaohs in ancient Thebes. Queens, nobles, and even the artisans who crafted them had wonderfully decorated tombs kept in separate valleys. Come with us as we show you these smaller, more intimate tombs in Deir el-Medina, Tombs of the Nobles and Valley of the Queens.

Set above the remains of a village is a group of tombs worth visiting. These ones, though, are a little different. Often called the Valley of the Artisans, Deir el-Medina’s burials belonged to the highly skilled artists, stone masons and workmen responsible for digging and decorating the tombs of the pharaohs and queens in Egypt’s New Kingdom.

Since the artisans knew the locations of many tombs, Pharaohs were worried they would give this information to potential grave robbers. Therefore, they established this remote housing complex to keep the workers secluded from the general population. Under Ramses III reign, the workers protested food shortages. The protest included refusing to work until more food was provided. Some call it the first workers’ strike.

The village we see today is a re-creation, but the layout of tightly packed homes is said to replicate the original footprint. 

What makes this village interesting is the workers’ tombs found in the cliffs above their mud village. Artisans used their free time to build and decorate tombs for themselves, their family and friends. Tombs belonging to the average citizen were not usually decorated, but thankfully these workers put their talents to use for more than just the pharaohs’ crypts.

A major difference between these tombs and those of the pharaohs in the Valley of the Kings is that workers painted their crypts, but did not include carved reliefs. That doesn’t take away from them, though, because the wonderful pictorials still display their vibrant colours. In fact, some look as if they were painted last week. Restoration involved repairing damaged plaster, but the images were not repainted; therefore, we can enjoy seeing the original 3000 year old art.

The common belief at the time was that the deceased had to overcome various obstacles on their way to the afterlife. The Underworld Books included text and pictoral instructions for a successful completion of these tasks. During the New Kingdom, The Book of the Dead was one of the most important books. Since most workers couldn’t afford a papyrus version of the Book of the Dead, they painted images from it on their tomb walls.

We’ve included the musuem’s TT numbering of the tombs.

Inherkhau was a workman under Ramses III and IV. His tomb is a good introduction to what you’ll see in these more modest tombs. From the entrance, a few steep stairs take you to the low-roofed burial chamber. Even though it is quite damaged, we found a few places with excellent examples of the artwork.

Parts of the wall in good condition show scenes from the Book of the Dead and other mythical stories. The picture below shows the god Thoth presenting Inherkhau to Osiris, god of the underworld. This is one of the final stages before reaching heaven, The Field of Reeds.


These interconnected tombs belonged to a family of artisans from the Ramses II era. At the entrance is a re-creation of a small memorial chapel in the shape of a pyramid. In addition to these chapels, some tombs also had exterior courtyards where the family could gather for ceremonies and banquets. The tombs were used for the entire family, so this area was used more than once.

After entering through a central antechamber, there are three separate burial chambers. We were surprised that the quality of the artwork varied considerably between these spaces.

Each included many pictograms from the Book of the Dead, including the important ritual, the Opening of the Mouth. The belief was that the spirit needed to use their body to speak, breathe, eat and drink to perform the tasks required to reach the afterlife. Opening of the Mouth allowed this to happen.

A painting in Amennakht’s tomb is related to this. It shows him drinking water from a sacred pond, which is necessary to sustain the ka (soul). We saw a similar picture in the Tomb of Pashedu below.


Pashedu was a skilled artist during the reigns of Seti I and Ramses II. When we visited, there was no electricity, so the caretaker shone a flashlight on the brightly painted walls. This added an aura of mystery to the images.

Steep, narrow stairs take you down to the two different levels of this tomb. The burial chamber at the bottom was the most interesting, with brightly coloued images. One that caught our eye was a red mountain with the Eye of Horus (Wedjat Eye). Another was of Pashedu kneeling and drinking sacred water under a palm tree, similar to what we showed you above.

An extra ticket is required for this tomb. Although it is in not significantly better than the others we saw, it is still worth the extra fee.

After visiting the tombs, don’t forget to see the Village Temple, located on the far side of the complex. Although built hundreds of years after Deir el-Medina was abandoned, it is worth a visit.

Constructed during the Ptolemy Period, 3rd to 2nd century BCE, notice the difference between the columns in this temple and the older ones in Luxor or Karnak Temples. The Ptolemy Dynasties used mixed vegetation on their columns, including palms, lotus and papyrus. These multi-plant columns became prevalent during the Greco-Roman period of Egypt. It was interesting to see how the architecture evolved.

After passing these columns, the older Egyptian influence is seen. Hellenistic pharaohs in Egypt continued to follow Egyptian traditions, so the three rooms in the temple each have wonderful illustrations of their deities. The main, central room sustained the most damage, but the side rooms are in much better condition. Their walls are covered in large reliefs of Egyptian deities sitting on chairs and scenes from the Book of the Dead.

In the 7th century AD, the temple was converted to a Coptic monastery, so you can see a few crosses on the exterior walls. Also in the yard, are ruins of a much earlier Egyptian temple.

It is a beautiful, understated sanctuary, and is included in the entrance to Deir el-Madina but not many bother to walk to it. They don’t know what they’re missing.

Entry fee – 200 EGP ($4 USD) include three tombs. An extra fee for Tomb of Pashedu 120 EGP ($2.35 USD); Opening Hours – 6 am to 5 pm; Time Needed – Expect to spend one hour, unless you also see the temple and Tomb of Pashedu, then 1 ½ to 2 hours.  


This necropolis held tombs for high-ranking men who were viziers, advisors and priests to the pharaohs. For that reason, it is called the Tombs of Nobles or Valley of the Nobles. They weren’t built for one person, though; the noble’s family members were also interred in the same tomb.

After being impressed by the nobles’ tombs we saw in Saqqara, we were interested in visiting these. While those in Saqqara date to the 25th century BCE and were built in mastabas, these in Luxor are 1,000 years younger and found in rock-cut tombs in the cliffs. You can read about the older ones in our post Saqqara – Explore the Step Pyramid and Tomb Art.

Instead of walls covered in depictions of pharaoahs and deities as they are in the Valley of the Kings, most of these frescoes tell stories from the nobles’ lives, including their occupation and family. Over 1,500 tombs have been found to date in this area, and they expect to find more. Only a few are open to the public, and the rotation changes to minimize damage.

The most recommended are the Tombs of Sennefer and Rekhmire, which are on one ticket, and Menna and Nacht, which are together on another ticket. We were able to see all four on our visit. We’ve included the musuem’s TT numbering of the tombs.

Menna was a scribe and managed the agricultural fields under Pharaohs Thutmose IV and Amenhotep III. It makes sense then, that the images show him surveying the crops and measuring the harvest yields. There are also several family portraits and ones of them enjoying local festivals.


Nakht was a priest and astronomer in the 1400s BCE. By studying the movement of the stars, he knew the best time to harvest and when to schedule various festivals; therefore, the pictures depict festival preparation, grain thrashing, and the slaughtering of cows. As well, his wife was a musician in the royal court, so there are scenes of concerts and musical instruments.

The walls are covered in a protective glass, but unfortunately, it is very dirty, so it was difficult to take pictures.


Rekhmire was a vizier and highest advisor to Thutmose III and Amenhotep II. This meant he presided over the courts, managed temple building projects, and collected taxes. The walls display frescoes of the vizier receiving gifts on behalf of the pharaoh from Nubians, Syrians and Egyptians, including their exotic animals.

There are also harvest pictures and an ancient spreadsheet of accounts.

An interesting one is a funeral procession with Rekhmire on a barque (boat) going down the river, in the middle of a forest.


As Mayor of Thebes and director of Pharaoh Amenhotep II’s wealth, this tomb is more elaborate than the others. To reach the burial chamber, you have to hunch over and climb down a long, narrow tunnel. It was so tight, it reminded us of entering a pyramid in Giza.

At the bottom, the space opens up to a large room guarded by Anubis. Like many of these tombs, it has scenes from Sennefer’s life and stories from the Book of the Dead. Most are in excellent condition, but unfortunately, the walls are behind glass that is smudged with fingerprints. So while it’s not great for photographs, it is one you should try to visit.

Tip – The necropolis is quite disorganized and is spread over a large area. There is no on-site map to help locate the tombs, but most are correctly listed by their TT# on the app Mapy.cz. Each pair of tombs have custodians, but they are not always at the entrance. If you wander around enough, as we did, eventually someone will see you and unlock the doors.

The Tombs of the Nobles were covered for centuries by the desert, and most recently by the village of Qena. When the tombs were discovered, villagers were moved to New Qena, 60 km away. A few of their old homes still stand on these hills.

Entry fee – The fee is 120 EGP ($2.40 USD) per pair of tombs (Sennefer and Rekhmire are on one ticket, and Menna and Nakht are on another). Opening Hours – 6 am to 5 pm; closes at 4 pm in the winter. Time Needed – expect to spend at least an hour at the Tombs of the Nobles. The ticket office is located a km or so up the road, so either have your taxi stop at it, or buy your tickets online here. Internet coverage at the site is very poor, so purchase your tickets online ahead of time.

Getting to Tombs of the Nobles

Tombs of the Nobles are located across the street from the Ramesseum, so you can see them on the same trip.


Although it is called the Valley of the Queens, the necropolis was not only for pharaohs’ wives but also for their sons, daughters and royal family. Unlike the pharaoh’s tombs, the paintings in the Valley of the Queens have carved edges but lack sculpted details.

The cemetery has 90 tombs dating back to the 1500s BCE, but only three are open to visitors. They are all numbered with a QV, so we’ve included that here.

Like the tombs in the Valley of the Kings, the ones in this necropolis also begin with a long hallway, although they are much smaller. Khaemwaset was one of Ramses III’s sons; although there are pictures of the prince, there are more depictions of his father than of him. In addition to the main hallway, there are also several side rooms that are in very good condition.

The walls are partially covered in glass to protect the artwork.


This is the second tomb we saw belonging to one of Ramses III’s sons, and they are very similar. Prince Amen-her-khopshef died young, possibly at the age of 15. There are large-sized paintings in the hallway of Ramses III worshiping, giving offerings, and presenting his son, Amen-her-khepshef, to the different gods.

Note – Khaemwaset and Amen-her-khopshef were also the names of two of Ramses II’s sons, so information found online often confuses them.


Many believe that Queen Tyti was both wife and sister of Ramses III. The tomb has several paintings of the queen giving offerings to Thoth, Ptah and the four sons of Horus, but it is generally in poor condition, so we didn’t take many pictures.

QV66 Nefertari Tomb – The wife of Ramses II, Nefertari is said to have the most beautiful tomb in the valley. Unfortunately, as of March 2026, Nefertari’s tomb is being restored and has no scheduled opening date. Until this tomb is restored, we don’t think the Valley of the Queens should be high on your list.

Entry fee – 180 EGP ($3.50 USD); Opening Hours – 6 am to 5 pm; in winter, it closes at 4 pm; Time Needed – One hour is enough time to visit these tombs since they don’t have as much to see.


Getting to the tombs

All the necropolises listed above are located on the west side of the Nile and are fairly close to one another, but there is no direct way to get between them. All are approximately 5 km from the West Bank Ferry Docks, so you will need to take a car/taxi. Many hang out near the ferry terminal, so finding one won’t be a problem. You will also need to get a ride between them, so you may want to hire a taxi/driver for the day. The only two that are within walking distance are the Ramesseseum and Tombs of Nobles.

Most of the ancient sites in Luxor have received UNESCO World Heritage Site status, including Karnak and Luxor Temples; the necropolises of the Valley of the Kings, Valley of the Queens, Tombs of the Nobles, Deir el-Medina; and the mortuary temples of Hatshepset, Ramesseum, and Medinet Habu.

For information on where to stay and eat in Luxor, please visit our post Ancient Wonders – Karnak Temple and Mummification Museum.

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To read more of our adventures in Egypt, click here.

Coming Next – Dendera Temple – A Day Trip From Luxor

Fediverse reactions

38 responses to “Ancient Egypt’s Deir el-Medina, Tombs of the Nobles and Valley of the Queens”

  1. These huge treasures are stunningly gorgeous.

    1. They are, and nice that these weren’t all for the elites. Thanks Swabby

  2. Agree with @swabby429, gorgeous and amazing history!
    There seems to be so much more open or unearthed since my visit. I would love to return to Egypt, and you were lucky to have gone there, as it was touch-and-go there for a while.

    1. They keep discovering and opening new tombs and temples everyday, and they are taking better care if them, which unfortunately for us, means many are covered in glass/plastic.
      Egypt had zero problems with the Iran War when we went, but with the Red Sea and the Suez Canal, that’s changing. Hopefully this ends soon. Thanks Nilla!

  3. thetravelingtaylorsofficial Avatar
    thetravelingtaylorsofficial

    The detail that stuck with me is the artisans using their own free time to paint tombs for their families, not just the pharaohs. And 3,000-year-old paint that still looks like last week? Incredible. The ‘ancient spreadsheet’ in Rekhmire’s tomb made me grin too. Egypt is firmly on our family’s someday list, and your practical fees-and-hours notes are pure gold for planning.

    1. Thank you, there aren’t as many people at these tombs either, so they are even more enjoyable. I hope you get there 😊 Maggie

  4. Such beauty…did bring back lots of great memories of our own trip. I am always amazing at how vivid the colours are. (Suzanne)

    1. Aren’t the colours incredible?! If only our products today lasted that long. Thanks Suzanne

  5. Not only are all the details in the paintings fascinating, the sheer quality of the colours and art work, given their age, is so impressive!

    1. The colours are really incredible. We asked if they were repainted because it didn’t seem possible that it is thousands of years old. Thanks Sarah

  6. This is fascinating and I can’t tear my eyes away from the photos you’ve included in this post!

    1. These smaller, less visited tombs are truly stunning. Glad you’re enjoying them. Thanks!

  7. So well worth seeing Maggie. Amazingly restored and looks like a good place for final rest. Happy Friday. Allan

    1. Thanks Allan, they really are stunning tombs, and a great place to spend your eternal life. 😊

  8. The tomb art is so beautifully rendered and well photographed. Thanks for a view of these splendid cultural artifacts.

    1. Thanks for coming with us Rebecca, more than happy to share these amazing tombs.

  9. The artwork and preservation are simply amazing. Thanks for sharing, Maggie!!

    1. They really are amazing. Thanks Jyothi

  10. Incredible art and gorgeous colors. I learned a lot from the excellent narration. Thank you, Maggie and Richard!❤️

    1. Thanks so much Cheryl, it is such a fascinating place, glad you’re enjoying it.

  11. What a place. Loved the colours. It would be interesting to learn how they were created. Being an artisan back then doesn’t seem like a bad gig by the sounds of things. You also got to live with a bunch of like-minded people. Although not perfect, there certainly could be some pros in the situation.

    1. Their life was probably better than many. Although, they never got to see how the other side lived, so maybe they didn’t appreciate it. Thanks Jenn

  12. The brilliant colors of the artwork in the burial chambers after 3000 years are just incredible. The Egyptian air must be so dry that nothing gets moldy and deteriorates. 🙂

    1. Some of them were so bright, we had to ask at least twice that they weren’t repainted. It is very arid, which likely helped. Even just the breath from visitors now causes damage. Thanks Nancy!

      1. Wow! I never considered the moist breaths of thousands upon thousands of visitors.

        1. I know, it never occurred to me either! At least they know now and are better at protecting the tombs.

  13. Your photos of these treasures are fantastic, Maggie.

  14. The details and colours in these photos are just stunning!!! Can’t believe how vivid they are after so many years!

    1. They really are unbelievable. They’re not as popular, so remember them for a future trip. 😊

  15. Extraordinary, Maggie. I could spend hours in front of one wall of paintings. So much to see.

    1. There is so much. We spent a long time in each one, and even longer in the Valley of the Kings tombs. Thanks Mary

  16. There is so much detail in each of these temples. It would be hard to move on from one to the next for fear of missing something.

    1. We went up and down each one a few times to make sure we didn’t miss a thing. 😊

  17. Wow. I can’t get over how bright and vivid these tombs are, especially the ones with all the yellow.
    Spending your free time prepping your future tomb? Some would say they had an unhealthy preoccupation with death, but then again, these days we probably go in the opposite direction and don’t give enough thought to it…

    1. They strongly believed in the afterlife and spent most of their lives preparing for it. Sad, but, it gave us these amazing tombs!

      1. I guess “living in the moment” wasn’t a thing for ancient Egyptians. 😉

        1. 😊 probably not.

  18. Fascinating. I did not know that the artisans decorated tombs as well but kept in separate valleys. Deir el-Medina Village and the Valley of the Queens look like amazing places and all that art. As usual your information was very interesting and your photos amazing. I certainly would like to visit there one day.

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